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""Sed unde iam incipiam? Libet a porta celi et fenestra, que huic mundo lumen eternum effudit et que nobis exordium salutis extitit, ..."". Der Flosculus beatae virginis ist das Erstlingswerk eines anonymen Zisterziensers, der in einem vierteiligen Brief an seinen Abt sein Können demonstrieren will. Die Ct 4,12 entnommenen Begriffe ""hortus conclusus"" und ""fons signatus"" werden auf Maria bezogen und in mehrfacher Verzweigung gedeutet (Teil 1 und 2: ""vocabula de terra""). Weitere meist aus der Bibel stammende Zitate untermauern diese Deutungen und fungieren bei Bedarf selbst wieder als Lei
Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Devotion to --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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Christian saints in art. --- Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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English literature --- History and criticism. --- Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- In literature. --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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This book was first published in 2011. The Virgin Mary was one of the most powerful images of the Middle Ages, central to people's experience of Christianity. During the Reformation, however, many images of the Virgin were destroyed, as Protestantism rejected the way the medieval Church over-valued and sexualized Mary. Although increasingly marginalized in Protestant thought and practice, her traces and surprising transformations continued to haunt early modern England. Combining historical analysis and contemporary theory, including issues raised by psychoanalysis and feminist theology, Gary Waller examines the literature, theology and popular culture associated with Mary in the transition between late medieval and early modern England. He contrasts a variety of pre-Reformation texts and events, including popular mariology, poetry, tales, drama, pilgrimage and the emerging 'New Learning', with later sixteenth-century ruins, songs, ballads, Petrarchan poetry, the works of Shakespeare and other texts where the Virgin's presence or influence, sometimes surprisingly, can be found.
English literature --- Thematology --- Mary [s.] --- anno 1600-1699 --- anno 1500-1599 --- Littérature anglaise --- History and criticism. --- Histoire et critique --- Mary, --- In literature. --- Littérature anglaise --- Old English literature --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Arts and Humanities --- Literature --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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In Emotion and Devotion Miri Rubin explores the craft of the historian through a series of studies of medieval religious cultures. In three original chapters she approaches the medieval figure of the Virgin Mary with the aim of unravelling meaning and experience. Hymns and miracle tales, altarpieces and sermons – a wide range of sources from many European regions – are made to reveal the creativity and richness which they elicited in medieval people, women and men, clergy and laity, people of status and riches as well as those of modest means.
RELIGION --- Christian Theology / Mariology --- Religion --- Philosophy & Religion --- Christianity --- Mary, --- Devotion to --- History --- Europe --- Religious life and customs. --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Christian spirituality --- Mary [s.] --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria, --- RELIGION / Christian Life / Devotional. --- Christianity, Europe, Mary, Blessed Virgin, Saint, Medieval, Religion.
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There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms-Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes
Love songs --- Music --- History and criticism. --- Mary, --- Christian special devotions --- anno 500-1499 --- Musique --- Chansons d'amour --- History and criticism --- Histoire et critique --- Prayers and devotions --- Love --- Songs --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- E-books --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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The ancient dormition and assumption traditions are the earliest accounts of the Virgin Mary's departure from this life. They first developed in the eastern Mediterranean during the early Christian period. This book presents a systematic study of these traditions.
-Assumption --- 232.931 --- 232.931 Maria. Mariologie --- Maria. Mariologie --- Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Assumption. --- Assumption --- Mary [Blessed Virgin ] --- Theology. --- Maria Deipara --- Dormitio --- Assumptio --- Mary, - Blessed Virgin, Saint - Assumption --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria, --- Mary, - Blessed Virgin, Saint
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This book examines women's relationship to the Virgin Mary in two different cultural and religious contexts, and compares how these relationships have been analyzed and explained on a theological and a sociological level. The figure of the Virgin Mary is a divisive one in our modern culture. To some, she appears to be a symbol of religious oppression, while to others, she is a constant comfort and even an inspiration towards empowerment. Drawing on the author's own ethnographic research among Catholic Costa Rican women and Orthodox Finnish women, this study relates their experiences with Mary to the folklore and popular religion materials present in each culture. The book combines not only different social and religious frameworks but also takes a critical look at ways in which feminists have (mis)interpreted the meaning of Mary for women. It therefore combines theological and ethnographic methods in order to create a feminist Marian theology that is particularly attentive to women's lived religious practices and theological thinking. This study provides a unique ethnographically informed insight into women's religious interactions with Mary. As such, it will be of great interest to those researching in religious studies and theology, gender studies, Latin American studies, anthropology of religion, and folklore studies.
Devotion. --- Feminist theology. --- Women --- Religious life. --- Mary, --- Devotion to --- Costa Rica. --- Finland. --- Theology, Feminist --- Theology, Doctrinal --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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The Virgin Mary plays a major - although often paradoxical - role in the incarnation and crucifixion and in the ecclesiastical structure of Christianity. This role is shaped by sacrifice as understood in terms of the religious patrimony of ancient Israel and as refigured in the new Christian and Islamic paradigms arising from it. Here the offering up of a son is a frequently occurring motif, one in which fathers and mothers play an emotionally fraught, anthropologically conditioned and theologically significant role. Like such figures as Abraham and Sarah in the Hebrew Bible, Mary's relationship to sacrifice has profound implications not only for Christian theology, but for later developments in monotheism, including the role of women and gender in creating and sustaining religious identities, the emergence of competing definitions of orthodoxy, and the institution in some traditions of a masculine priesthood and religious hierarchy.
Sacrifice --- 232.931.6 --- 232.931.6 Maria als middelares --- Maria als middelares --- Christianity --- Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Christianity. --- Arts and Humanities --- Religion --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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Maryel Locke and Charles Warren present twelve original essays by film critics, filmmakers, theologians, and philosophers that examine the 1985 film Hail Mary, directed by Jean-Luc Godard, and its companion film, The Book of Mary, directed by Anne-Marie Mieville. (The films are released under the one title Hail Mary) The interpretative essays offer a rich spectrum of analysis and opinion representing many divergent points of view about critical theory, the status of women, and the value of film as a medium. Locke and Warren also include two important interviews with Godard, brief biographies and complete filmographies of Godard and Mieville, a shot breakdown of the two films with the English subtitles, and the script of the French dialogue to complete a remarkably comprehensive treatment of these important films. The only film based on the biblical story of the Virgin Mary, Godard's Hail Mary is a contemporary Swiss/French representation of Mary's virgin pregnancy, the birth of her son, and her relationship to Joseph and her young child. Mieville's companion film is about a young girl named Mary whose parents get a divorce. While neither film is overtly religious, the initial release of Hail Mary brought public protests, court cases, a physical attack on Godard, and condemnation by the Pope. An insight emerging compellingly from the volume as a whole is that the camera, which possesses the capacity to invoke the mystery of human sexuality, itself partakes of, incarnates, the mystery of sexual difference. That is a fundamental fact about the medium of film, but a fact that current film theory, with its incessant identifications of the camera as masculine, denies. This is the central claim that, in the context of contemporary film study, gives the book a sharp critical edge and that seems likely to provoke considerable comment within the field.
Film --- Music, Dance, Drama & Film --- Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- In motion pictures. --- Je vous salue, Marie (Motion picture) --- Livre de Marie (Motion picture) --- Book of Mary (Motion picture) --- Hail Mary (Motion picture) --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,
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